德化白瓷观音像配鎏金铜座，德化白瓷，法国鎏金铜座，瓷器约1700；铜座约1735–1740，高33.7cm，J·保罗·盖蒂博物馆，78.DE.64，中国白（Blanc de Chine）
Guanyin with French ormolu mount
Image: J. Paul Getty Museum, Los Angeles · Public Domain (CC0)
原始来源 Primary Source
J. Paul Getty Museum — Collection Database ↗

德化白瓷观音像配鎏金铜座

Dehua Guanyin with French Gilt-Bronze Mount
瓷器约1700；铜座约1735–1740
78.DE.64已验证 VerifiedJ·保罗·盖蒂博物馆，洛杉矶
Object Details
材质
德化白瓷，法国鎏金铜座
Medium
Dehua porcelain with French gilt-bronze mount
尺寸 Dimensions
H. 33.7 cm × W. 14.6 cm × D. 10.2 cm
年代 Date
瓷器约1700；铜座约1735–1740
Porcelain c. 1700; mount c. 1735–1740
类别 Classification
佛教造像
朝代 Dynasty
清，清初
工艺 Technique
手塑
釉色 Glaze
象牙白
馆藏号 Accession
78.DE.64
馆藏机构 Repository
J·保罗·盖蒂博物馆
J. Paul Getty Museum, Los Angeles
研究语境 Research Context

18世纪法国贵族为中国瓷器配装鎏金铜座（monture）的典型案例。铜座风格属路易十五早期洛可可，表明此件在进入法国后不久即被改装。瓷器与铜座的结合体现了法国对东方艺术的"再语境化"——将佛教造像转化为装饰壁炉的摆件。

A typical example of 18th-century French aristocratic practice of fitting Chinese porcelain with gilt-bronze mounts (monture). The mount style dates to early Louis XV Rococo, indicating the piece was refitted shortly after entering France. The combination embodies the French "re-contextualization" of Asian art — transforming a Buddhist figure into a mantelpiece ornament.

本器物关联的研究维度
04欧洲仿制证据链European Imitation Chain07白色的语义学Semantics of Whiteness
流传史 Provenance
c. 1700
瓷器创作于福建德化
Porcelain created in Dehua, Fujian
c. 1720–1735
经贸易传入法国
Entered France via trade
c. 1735–1740
巴黎铜匠配装鎏金铜座
Gilt-bronze mount added by Parisian bronzier
1978
盖蒂博物馆购入
Acquired by J. Paul Getty Museum
参考文献 Literature
  1. 威尔逊，《盖蒂博物馆装饰艺术馆藏》，1983年
    Wilson, G., Decorative Arts in the J. Paul Getty Museum, 1983
    cat. 12
鎏金铜座法国改装洛可可跨文化

Cite This Page

World Headlines. "Dehua Guanyin with French Gilt-Bronze Mount (78.DE.64)." In Blanc de Chine Catalog (WH-GR-2026-001). https://blancdechine.org/objects/getty-78de64. Accessed April 13, 2026.
Permanent Linkhttps://blancdechine.org/zh/objects/getty-78de64